Poirot has been portrayed on radio, in film and on television by various actors, including Austin Trevor, John Moffatt, Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina, Orson Welles, David Suchet, Kenneth Branagh, and John Malkovich.
Austin Trevor debuted the role of Poirot on screen in the 1931 British film Alibi. an incredible moustache! "[62] His final appearance was in an adaptation of Curtain: Poirot's Last Case, aired on 13 November 2013. Poirot's actual death and funeral occurred in Curtain, years after his retirement from active investigation, but it was not the first time that Hastings attended the funeral of his best friend.

Rather than painstakingly examining crime scenes, he enquires into the nature of the victim or the psychology of the murderer.

Peter Ustinov played Poirot six times, starting with Death on the Nile (1978). [17] He is also particular about his personal finances, preferring to keep a bank balance of 444 pounds, 4 shillings, and 4 pence.

[56], The 1942 novel Five Little Pigs (a.k.a. (In The Mysterious Affair at Styles Poirot had retired at age 55 in 1905), I had called in at my friend Poirot's rooms to find him sadly overworked. The time when cases had drawn him from one end of England to the other was past.

13.

One consistent element about Poirot's retirement is that his fame declines during it, so that in the later novels he is often disappointed when characters (especially younger characters) recognise neither him nor his name: "I should, perhaps, Madame, tell you a little more about myself.

1. Poirot's name was derived from two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired Belgian police officer living in London.[3]. [21], "If I remember rightly – though my memory isn't what it was – you also had a brother called Achille, did you not?” Poirot's mind raced back over the details of Achille Poirot's career. He continues to employ his secretary, Miss Lemon, at the time of the cases retold in Hickory Dickory Dock and Dead Man's Folly, which take place in the mid-1950s. In 2017, Kenneth Branagh directed and starred in a 2017 film adaptation of Murder on the Orient Express. Notably, during this time his physical characteristics also change dramatically, and by the time Arthur Hastings meets Poirot again in Curtain, he looks very different from his previous appearances, having become thin with age and with obviously dyed hair. In An Autobiography, she admitted that she already imagined him to be an old man in 1920.

Twice I have been struck down with illness just as I was on the point of success. [25], He also has a tendency to refer to himself in the third person.[26][27].

An Englishman he says often, "A fellow who thinks as much of himself as that cannot be worth much." [13] Poirot's appearance, regarded as fastidious during his early career, later falls hopelessly out of fashion. "What a lovely name," she said kindly. Tony Randall portrayed Poirot in The Alphabet Murders, a 1965 film also known as The ABC Murders. Curtain: Poirot’s Last Case was written in the 1940s and locked away until 1974 The novel was called The Monogram Murders, and was set in the late 1920s, placing it chronologically between The Mystery of the Blue Train and Peril at End House. ", "It has been said of Hercule Poirot by some of his friends and associates, at moments when he has maddened them most, that he prefers lies to truth and will go out of his way to gain his ends by elaborate false statements, rather than trust to the simple truth. Poirot focuses on getting people to talk. 12. "After a careful study of the goods displayed in the window, Poirot entered and represented himself as desirous of purchasing a rucksack for a hypothetical nephew.
In an article written for The Daily Mail in 1938, Agatha Christie counted The Murder of Roger Ackroyd as one of Poirot’s favourite cases, explaining that in the book ‘he was at his best, investigating a crime in a quiet country village and using his knowledge of human nature to get at the truth.’. Poirot later became smitten with the woman and allowed her to escape justice. [citation needed] In The Agatha Christie Hour, she was portrayed by Angela Easterling, while in Agatha Christie's Poirot she was portrayed by Pauline Moran.


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