A00100 to A01300 – 1964, Vibrolux Reverb AA864 (blackface) This amp sounds better than all of them. were completely sealed units.
Tone for days! ... 2,614. Well, the serial numbers for the brown Vibroverb A20000 to A21500 – 1976, Quad Reverb CFA7104 (silverface)
). This is definitely not for me, give me good old USA Vintage fender with a big old spring-reverb tank! It's light weight is a major deal for me. Saw a review of this one in a guitar mag and thought why not, if it sucks I'll return it. What makes the Tone Master so special is its utility. A32000 to A35000 – 1972 A00001 to A01700 – 1963 Ive played 3 shows with it and have never had the need to have it at full power on the attenuator switch. When this first came out I was sckeptical about the sound and would it be enough to do a live situation gig. We put it up against a RI.. well, I couldn't tell. Now is the perfect time to get the gear you want with simple, promotional financing. A19000 to A21000 – 1967 Once replaced, the amp was quiet as a mouse. If your a bedroom player like me, want to get awesome tones at bedroom volume levels, love the fender amp sounds then get this amp. That is my holy grail. BM03100 to BM04600 – 1960, Bassman 6G6, 6G6-A, 6G6-B (blonde) 5500 to 6100 – 1955, Super 5E4, 5F4 (tweed) This doesn't hurt my feelings at all and I was back to thick, rich tone. I've played tube amps exclusively for the last twenty years, and have made fun of solid state amps since the '80s. A07700 to A08800 – 1965, Model 26 Deluxe (woodie) I also used it in my studio and connected it straight to my DAW and recorded with the mute switch on for silent recording and it was easier to record that way with headphones on and no sound coming out of the amp.
I started to open up my mind a bit when I saw a lot of guitar players I respected using Kempers, Helixes, and the like to great affect. A31000 to A35000 – 1968 for the Swedish market. I have not tried to make an A/B comparison between my new Fender and a real ’65 reissue.
A26000 to A28500 – 1968 A08100 to A16000 – 1966 Not a chance. Being able to control amp output with the wattage selector on the back is key when playing Small venues or other band members (especially over opinionated backup singers...). A06100 to A06500 – 1967, Deluxe Reverb AA763, AB763 (blackface) For the uniquely serialized models, the production estimates using my hypothesis, I bought that TMDR and have pedals in front of it and putting it through it's paces there as well. A63000 to A85000 - 1976, Concert 5G12, 6G12, 6G12-A (brown) I once owned a Deluxe reissue tube version; special addition w/ red tolex, cane grill cloth very pretty; but It was noisy, picked up radio stations heard thru the speakers ( I kid you not)traded it and moved on. This page works best with JavaScript. of the production number” on the tube charts of late ‘50s through mid-1967 Ryan you are awesome. do some frequency distribution and such to determine a rough estimate. I'll gladly eat those words now. I'm mostly using the vibrato with some reverb. 600 to 1100 – 1949 Reviewed in the United States on February 11, 2020. I have no regrets. let Greg present his side of the story in a future article.
First, the tables At home I run it at the 1 watt setting to get a nice breakup tone at bedroom volume. I"m the happiest I"ve been with a new product in a very long time. A '65 Deluxe Reissue and I can say that the Tone Master has the same chime, warm bass tone as the tube amp.
Princeton AA964 (silverface) A10000 to A11000 – 1967-68 A11000 to A15000 – 1969-70 A27000 to A31500 – 1974 Thanks to Ryan who put up with my endless shopping questions! 00100 to 00225 – 1961 A37000 to A50500 – 1972 Finally, this amp has plenty of power. I play just for myself in my studio apartment at 5 watts as well as with friends where I can let it rip. With my pedalboard, which is pretty sparse, I did find myself using input 2, which I've never done a tube Deluxe Reverb. Reverb with Better Coil output transformer, a ‘66 Deluxe Reverb and ‘67 Twin I haven't tested the xlr out to a PA yet, but assuming the output signal replicates the tone coming out of the speaker, there is no venue, however small or large, that this combo amp couldn't handle. Check. It sounds amazing overall and sounds excellent turned up to six and a half with my Stratocaster. Phone Hours | If you live close to a Guitar Center, you can buy them both to try out at home, and return the one you like least within 30 days for a complete refund. tall one without tilt-back legs) is ported (see photo).
from D00100 to D04900).
for me to attach various parts. For mid to late ‘70s silverface amps and early ‘80s “blackface” models, the
Didn't use the line out as the sound man prefferd to use a 57 mic. No comparison to my beloved vintage Fender 1974 Twin Reverb. I use the amp as my monitor and run the amp through the PA and I don't have to deal with the volume of the amp behind me. 1300 to 1700 – 1950 I’ve only had the Tone Master Twin for a week, but I’m close to getting the Fender part of that tone from the Tone Master; while getting just the Marshall part from my modeler. BP05000 to BP08400 – 1963
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With full power this amp rocks the pictures in my music room. A01700 to A04300 – 1965
Thank you Fender, very much. My current comparison is with my little Blues Jr. Some say, myself included, that it should be all about the sound, but you have to comment on the weight. D03000 to D05000 – 1957
01700 to 02700 – 1959 The reverb and vibrato sound authentic to the original. Firmware & Software. I remember was really cool! 02600 to 03300 – 1960, Tremolux 6G9, 6G9-A, 6G9-B (blonde) The Tremolo works great. By the way, bringing it places is super easy because it weighs about half as much as the tube version.
I doubt anyone will want to turn it up past 3 and I cannot dial it down enough for my taste before the reverb goes completely off. at the amps. They were something to behold, all chatting Reviewed in the United States on April 5, 2020. A01400 to A08000 – 1964
They actually held clipboards and stopwatches to measure how long it took Amazing tone. I love it! This amp truly feels and plays like a tube amp. Thanks again to everyone who contributed information to make these dating I am a big fan of the Fender Deluxe Reverb amp. Light and cheaply "Made in China" stuff, with digital modelling crap. Also note the vertical black lines on the control to ignore them. A50000 to A63000 – 1975 S00100 to S00800 – 1955
Case in point; we have documented two A58000 to A60000 – 1970, Bronco AB764 (silverface) I was fortunate to purchase one just before they were all sold out in hours.
I've played tube amps for decades and never had problems with tubes. Fender literally wrote the book on electric basses, laying the foundation for musical innovation and evolution. D10000 to D11000 – 1961, Deluxe 6G3, 6G3-A (brown) Love this amp! It seems to do very well.
00100 to 00600 – 1963, Vibroverb AA763, AB763 (blackface) A81000 to A99999 – 1975, Tremolux 5E9, 5E9-A (tweed) I hope this starts a trend. And finally what can I say about the weight.............There is nothing better than after playing a venue and you pack up to leave and pick up the amp and wow, it is so light. I got this amp a couple weeks back and i love the clean sound. F00001 to F00300 – 1956 Store Hours, If you have any questions, please call us at (800) 222-4700. 0100 to 0200 – 1955, BM00001 to BM00550 – 1955 A27500 to A30000 – 1973 The tables are pretty much self-explanatory, but here are some guidelines While it looks and sounds almost identical to the tube amplifier, it most certainly isn’t. Coil trannies. A20000 to A26000 – 1968 Only issue, and a minor one at that, is the LED lights on the footswitch is a little too bright. A30000 to A32500 – 1974 brown Deluxe is less common at about 4,800 units made (serial numbers run A29000 to A32000 – 1971 Maybe a 5% difference, and not only that, but I think based on subtle differences, I actually like the Tone Master version BETTER. There is no way to separate Doing a lot of recordings, I figured it would be awesome to record live takes of tracks with drums and not have to worry about all the bleed from the guitar in the drum tracks, so I decided to get a Kemper profiler... And wow.
A59000 to A66000 – 1973
02300 to 05100 – 1961 only used Schumacher transformers on amps made in the 1960s and 1970s. It also analyzes reviews to verify trustworthiness. A fantastic smooth breakup for the sweet spot. 01 to 600 – 1948
In a bold Fender first, the Tone Master Deluxe Reverb amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 22-watt power output of an original Deluxe tube amp. I think that says it right there. I've always loved the sound of the Deluxe Reverb from Fender. units, and the serial numbers for the blackface Vibroverb run from A00100 A68000 to A99999 – 1974
A line output with impulse-response cabinet simulations is perfect for “quiet” stages and silent recording, while a six-position power output level switch offers fantastic tube-driven tones at any volume. My DRRI has a Weber Neodyne and the Tone Master just can't hold a candle it. 500 to 1200 – 1949-51 The 5G12 Concert is the earliest version from very late 1959 and early 1960 A33000 to A34000 – 1969 After that the foreman would add the tubes, turn 'em on and
These both sound like the originals, no more variation that you'd hear putting two '65's next to each other; no two of those sounded alike: tubes, point to point variations, etc. Always had the DR in the back of my mind as the amp to own. Then I bought a Boss Katana 50 (brilliant little plug-n-play practice amp for the price of one upmarket pedal--unreal value!) A16500 to A22400 – 1969 3600 to 4400 – 1954 should fall in a certain year… but don’t. A50500 to A68000 – 1973 P05100 to P07200 – 1963
02300 to 05100 – 1961 S02500 to S03700 – 1959, Super 5G4, 6G4, 6G4-A (brown) 00001 to 00350 – 1960 from earlier dates... leftovers.”, Regarding production he recounted the following information: “I think Does not even come close to a vintage Fender Amp, Reviewed in the United States on December 29, 2019. It can be extremely loud if you crank it. 00200 to 00800 – 1961 Along with its big brother, the Twin Reverb, this amp has been such a workhorse over the years that it has achieved a certain iconic standing with many musicians, for good reason. need more data to fine tune existing dating schemes (including the overlap
P04300 to P07000 – 1960, Princeton 6G2, 6G2-A (brown) Groove Tubes. I simply can"t believe my ears. The 2 features omitted by many are the attenuation and spot on IRs on the direct out. Okay, I know you’re all just dying to skip ahead to the serial number tables He recalled, “We just went Unbelievable Amp. Slap a JBL D120F or a decent Neodymium speaker in the DRRI (like the Tone Master has) and you will hear that the DRRI has a superior sound. Fender Tone® Connected Amps. Thank you so much for making that glaringly obvious suggestion apparent.
Princeton Reverb II with serial number F077698 (F0 = 1980), and Super Reverb
Rumble Stage and Studio.
in Sweden.
The only slight drawback is that it's not a 1x12" Princeton, which would bring the weight down even more and obviate some of the need for attenuation. Amazingly light. I am so glad the my Sweetwater rep David Hess helped me to decide on this Fender Deluxe Reverb Tone Master Amp.
There are no tubes, no reverb tank.....but, it sound like an analog tube amp!
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