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Fender '65 Princeton Reverb Reissue As with Fender's wonderful Deluxe, the Princeton was one of the very first amps Leo made under his own name - dating all the way back to 1946 - and one of the few model names to remain in more or less continuous production, seeing out Fender's less well-known 'Ivy League' amps, the Yale and Harvard. Guitar World is part of Future plc, an international media group and leading digital publisher. All rights reserved. I currently have a couple of Fender solid states. The new Fender ’64 Custom Princeton Reverb is designed for players with a discriminating ear who don’t want to spend $3,000 or more for an original vintage model that’s more than likely missing original parts. True to the original, the ’64 Custom Princeton Reverb is a single-channel, 12-watt all-tube amp with reverb and tremolo. That's the thing about the '64 Custom Princeton, its tones support your playing, and the magic is not restricted to the sparkly bounce of Fender cleans. The overdrive becomes satisfyingly raunchy with the volume at “10” but the tone never becomes compressed or tubby and note definition and percussive attack remains brilliant. We check over 130 million products every day for the best prices. Receive mail from us on behalf of our trusted partners or sponsors? A heavy-duty cover is also included with the amp. The model is known as the '68 Custom Princeton Reverb. Fender's Corona, California factory has done a lovely job. The Princeton is a great amp as well and has a much more reasonable power level. As guitar amplifiers go, it is widely regarded as the go-to choice of studio players and one of the best perfect compact combos for small gigs. Don't miss the latest deals, news, reviews, features and tutorials. The Princeton Reverb II was removed from the Fender pricelist in 1986.
The story of Paul Kossoff's 'Stripped Top' 1959 Gibson Les Paul Standard, Kramer Original Collection 2020 review round-up, Michael Manring: “I’ve come to believe the bass may have more capacity for altered tuning than any other instrument“, Black Friday guitar deals 2020: everything you need to know and the deals we're expecting, Harley Benton reveals eye-popping sub-$200 T-style electric – the TE-90FLT Blast. The speaker is 10-inch Jensen alnico P10R, which is actually an improvement over the harsher-sounding ceramic magnet speakers equipped with the original blackface Princeton Reverb. There are some players who would swear by keeping the Princeton dimed and rolling back the volume control of your guitar to clean the tone up. The tremolo, of course, is to spring reverb what a cold beer is to a sunny day. You will receive a verification email shortly. But however you configure the Princeton, there's so much classic American Fender tone to explore, with the footswitchable spring reverb and tremolo another pseudo channel switcher, if we were to think of the channels as "wet" and "dry". In 1980 and 1981 the Silverface version was cosmetically changed back to the Blackface. Please refresh the page and try again. Visit our corporate site. The sound of tube-driven long-spring tank reverb has been replicated to an uncanny degree of success by effects pedals manufacturers but there is no substitute for the real thing. While the hand-wired construction, period-correct cosmetics and high-quality components are all welcome details, what truly makes the ’64 Custom Princeton Reverb worth its price is its stellar tone. The Princeton Reverb’s tone transforms to overdrive grit with the volume at “5” using a humbucker-equipped ES-335 or at “7” with a single-coil Strat. It is so musical. There is a lot to like. BA1 1UA. But not all are created equal, and one of Fender's most exciting announcements at this year's NAMM was the unveiling of the '64 Custom Princeton Reverb. Visit our corporate site. Set low, the reverb simply adds depth, a musical sense of space, but once you get a little bolder with it all that splashy surf tone washes ashore. Thank you for signing up to Musicradar. Fender Princeton Reverb. There are two instrument inputs, normal and normal and -6dB, and round the back of the amp you'll find inputs for a footswitch for the reverb and tremolo, the on/off switch, and a 1/4" output for an extension cabinet. Under the hood, you'll find a power amp that's driven by a pair of 6V6s. In Summer 2008, Fender reissued the Princeton Reverb. England and Wales company registration number 2008885. There are three 12AX7s and one 12AT7 preamp valves, and a 5AR4/GZ34 rectifier tube. The bottom-end holds up. It is, of course, a single-channel affair, 12-watts, a black-fronted control panel featuring volume, treble, bass, reverb, speed and intensity knobs – the latter two for the "vibrato," a bias-modulating tremolo that's musical and dynamic. We check over 130 million products every day for the best prices, Look at those Fender Blue tone capacitors. The Blackface Super Reverb is listed at 60 lbs and the Silverface is listed at 86 lbs (that's along the lines of what I remember my buddy's amp).
Other electrical features to get the cork sniffers a flutter – besides the Palm D'Or-worthy point-to-point wiring – include the Fender Vintage Blue tone capacitors.
Like the original, the clean tones are among the absolute best available, especially when paired with its gorgeous, lush tube-driven reverb. MusicRadar is part of Future plc, an international media group and leading digital publisher. Moreover, it's built by the same craftspeople that build our popular line of Standard Series guitars and basses.
The development of the Princeton amplifier, from its inception as a 4-watt practice amp in 1948, can be tracked by working through http://ampwares.com attached to the sales website of the commercial firm "Mojotone". Under the hood, the '64 Custom Princeton Reverb features a hand-wired AA1164 circuit with tube-driven spring reverb and tremolo, Fender Vintage Blue tone capacitors, three 12AX7 and one 12AT7 preamp tubes, 5AR4/GZ34 rectifier tube, Matched pair of 6V6 power tubes, and 12 watts output power. Fender’s ’64 Custom Princeton Reverb delivers the timeless tone, features and performance that have made the blackface Princeton Reverb a coveted classic, but at a much more reasonable price than a vintage model. The third 12AX7 is split between reverb recovery and tremolo, a 12AT7 drives the long-spring reverb tank and the rectifier is a 5AR4/GZ34 tube. Even a Gibson Les Paul studio with humbuckers sounded sparkly. I don't particularly care about the weight differences, as I only play at home. There was a problem. The impressive clean headroom and overall warmth and richness makes this amp an ideal base for a pedal-based rig for gigging or recording. This item: Fender '65 Princeton Reverb 15-Watt 1x10-Inch Guitar Combo Amp $999.99 Only 1 left in stock - order soon.
[4], Specifications (Princeton Reverb, 1964–81), Specifications (Princeton Reverb II, 1982–86), Teagle, J. and Sprung, J.: Fender Amps: The First Fifty Years, p.52, http://www.fender.com/series/vintage-reissue/65-princeton-reverb-120v/, http://www.fender.com/series/vintage-modified/68-custom-princeton-reverb-120v/, Princeton Reverb II, info for the "II" only, no other Princetons, https://en.wikipedia.org/w/index.php?title=Fender_Princeton_Reverb&oldid=980653649, Creative Commons Attribution-ShareAlike License, Preamp tubes: one 7025, two 12AX7, one 12AT7, Rectifier: 5AR4 (blackface & reissue), GZ34 (blackface), 5U4GB (silverface), Controls: volume, treble, bass, reverb, speed, intensity, Speaker: 10" speaker (Jensen C10R, Jensen C10Q, Jensen C10N, Oxford 10L5 or Oxford 10J4), Preamp tubes: three 7025 (a/k/a 12AX7), one, Controls: volume (pull for lead), treble (pull for boost), middle (pull for boost), bass, reverb, lead volume, master volume, presence, optional 2-button footswitch (lead, reverb), Speaker: 12" Fender Blue label made by Pyle and later re-sourced from Eminence; factory upgrade option for EV speaker, This page was last edited on 27 September 2020, at 18:20.
For a 12-watt amplifier, there is an abundance of clean headroom. All rights reserved. That, in effect, makes it a two-channel affair. The cabinet is lightweight solid pine and houses a 10” Jensen Alnico P10R speaker, which tends to play a little warmer than the ceramic speakers of the originals. Completing the old-school recipe is the extra-heavy textured vinyl covering and a silver grille cloth that's been very subtly aged. The power amp is driven by a pair of 6V6 tubes, while the preamp is driven by 1 1/2 12AX7 tubes (the extra gain stage is part of the reason why many players prefer the Princeton Reverb over the regular Princeton) with the other half split to the phase inverter. • Mesa Engineering California Tweed 1x12
Here's my question....I know the Super Champ X2 isn't 100% tube. While the Princeton evolved over the years from the primitive “Woodie” version Leo Fender developed during the late Forties through the Princeton Recording Amp produced until 2009, the most coveted version remains the legendary blackface Princeton Reverb with the AA764 circuit produced from 1964-67. England and Wales company registration number 2008885.
[1] It was a completely different and significantly more powerful amplifier. Amps produced after the end of 1969 saw a change in circuitry, the removal of the drip edge and the rectifier was changed from a 5AR4 to a 5U4GB along with a change in bias resistor value, a "boost" pull switch to the volume control pot was added in 1977.
The tone cleans up beautifully by backing down the guitar’s volume control, so I heartily recommend Jim Campilongo’s tried-and-true approach of leaving the volume at 10 and using the guitar’s volume control as your “channel switcher.” The volume output is more than ample for most gigs and absolutely perfect for studio recording. We’d love to stay in touch, sign up for the Guitar World team to contact you with great news, content and offers. Future Publishing Limited Quay House, The Ambury, Featuring a hand-wired AA764 circuit with tube-driven spring reverb and tremolo, the '64 Custom is a high-end Princeton that doesn't come cheap, but it is nonetheless cheaper than a mint-condition vintage Princeton – and a heck of a lot easier to find. It was discontinued in 1981.[1]. Receive mail from us on behalf of our trusted partners or sponsors? It really looks like it prefigures the colour TV era let alone that it has been manufactured in the internet age. Fender has opted for a 10" Jenson P10R alnico speaker here, which should warm up the tone a little and offer a smooth top end. These low-watters were intended as upscale practice amps for guitarists who thought the Fender Champ too basic, but they found their way into studios because they sounded big and loud, at levels recording engineers could live with. I'm thinking this would be a great amp to put some pedals through. There was a problem. ©
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