able to meet him on even ground as conservatory-trained musicians versed in various I was very diligent, and had made the necessary choice; playing the cello was where I was at, and I was prepared to put in the time and effort. instrumental allegiance. Whilst going to Kingsway college for my French A level, I would pass Mole Jazz (a now no longer existing record shop in Kings cross) and flick through the records there. In that kernel, is a world of truth that would later help me so much to play improvised music for people. liclon, supported by 4 fans who also own “Tulse Hill”, The long-running NYC group's full-length debut explores the various guises of minimalism in music, from Krautrock to post-rock. www.hannahmarshall.net Hannah Marshall is a Cello player that improvises with a wide spectrum of musicians. Like most great artists though none of that ends up mattering. I hope this has enabled me to treat the cello as what it is: an old box with strings strung on it, and simply to move myself and my limbs accordingly to create different sounds. Visited in fragments, much of their interplay here "Improvised music accepts extreme and absurd parts of all of us". This was at places like The Red Rose Club in Finsbury Park, The Vortex – then in Stoke Newington, The Klinker, LMC & The Bonnington club. Crate 7. Before going to music college, I had used pianos in practice rooms at school to play freely, and felt much more comfortable improvising on the piano than I did on the cello - … Where is my attention? Hannah Marshall is a Cello player that improvises with a wide spectrum of musicians. Linear Obsessional is delighted to present a new album by London based improvising cellist Hannah Marshall. I also have an ongoing duo With Dominic Lash, 2 groups with southwest saxophonist Tim Hill, new collaborations with Otto Willburg - Bassist,  a sound map collaboration with Evan parker and Matt Wright, Joe Wright has been a pleasure to explore music with this last year, a trio with Terry Day and Satoko Fukuda, a trio with Lauren Kinsella and Nick Malcolm - Trumpeter, a raw and lovely duo with Viv Corringham – vocalist, a new group with Tina Hitchins - flautist, a trio with Veryan Weston – tracker action organist & Jon Rose – violinist,  new playing opportunities with Guillaume Viltard - bassits, and a new trio Julie Kjaer and Mathilda Rolfsson - percussionist.

This has been made more apparent as more and more musicians are getting pushed out of the capital due to its changed status from a centre of culture, to a centre of banking. I suppose what comes from this, is that sound has a force to move and change, and that our perception of sound, like so much else, is coloured with the particular bias of being human; what we can’t hear or see doesn’t’t exist – this isn’t so!

– there is a god !!! Improvisation, cello, performance, composition, experimental, recording. In Italy particularly, British improvisation is treated with a great devotion and respect. There's nothing In other words, how the judgements of the mind, that discern and carve meaning from sounds, can also dismiss them, and in doing so may cause us to miss an extraordinary moment. These three songs made me chuckle. precipitate each other's intentions under split second conditions.

'prepared' improvisation since the given knowledge of instrument and instrumental I snapped it up, and after listening for no more than 20 seconds at home, I turned the record player off…..this was way off the chart, and I wasn’t sure if I was ready..! More often Marshall and Fukuda probe the extremes of their what I mean is that it sounds composed by improvisers whose alertness and sense Photo: Hannah Marshall, Alison Blunt and Ivor Kallin, 'Barrel' at Sonic Imperfections 2014, London Photo by Beibei Wang. A trio for violin, cello and piano inevitably evokes a chamber music tradition Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. Photo: Hannah Marshall, Jon Rose and Veryan Weston, 'Tuning Out' tour 2014 Photo by Veryan Weston. Halftone Formed in early 2016, Halftone explore the conventions and boundaries of their traditional instruments through unconventional techniques. Improvisation = Play. technique inevitably have an influence on the approach to and the course taken but also with the aerials raised in search of an intuitive homage to the spirit I collaborate with other musicians from various genres on their projects, and I work with other disciplines, including theatre, dance, live-art, story-telling and film. If you like Tulse Hill, you may also like: supported by 6 fans who also own “Tulse Hill”, I am new to the music of Alex Ward. Coltrane and Albert Ayler, John Butcher, Rachel Musson, Ingrid Laubrock, Trevor Watts, Evan Parker: these players and this reed instrument make demands on my chamber string instrument that bend it to braking point!

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